Thursday, January 6, 2011

Gold Plated Desert Eagle Handguns For Sale

Rashit "punk from İstanbul and unceremoniously"



" Αυτό που δεν με σκοτώνει με κάνει πιο δυνατό "
"
Beni Beni öldürmeyen güçlendiriyor "
"Lo
not kill me makes me more safe " " everything not kill me makes me stronger "
Thursday Gener 2011 6

Thursday, 6 January 2011
Πέμπτη

6 Ιανουάριος


2011
Jan. 6
2011 Thursday Quinta-Feira de Janeiro, 7 2011 at

DIA___ ___IMATGE OF "Nazi Australopi Thecus " (Il.lustració: Enric) ___ Rashit:
"Punk from İstanbul and unceremoniously" ___

Absolutely confused, abducted, I delivered the new music the five themes of the last work published by the label Ossi Müzik Rashit group, "Dinozor"
. I knew the band from the magnificent
"Adam Olmak İstemiyorum"
2003 and have followed their progress with growing interest (and a little afraid of that success end up with the freshness and the focus of their songs). I must say that, fortunately, Rashit still offer excellent rock, alive and completely seductive ... This is one of the best bands in punk rock Turkey which was founded in Istanbul in 1993 by Tolga Ozbey (Guitar), Kurt Adem
(vocals), Murat Yesil (bass) and Gokhan Tuncisler (drums). It is considered the largest local representative of punk rock, inspiring several local punk bands during the 1990's. From the age of 16 Tolga has been the only permanent member of Rashit while the band has undergone numerous lineup changes. (concert Sultanahmet Square ")
To date, Rashit has released three studio albums, a couple of LPs " Kadıköy'den hareketler split 7 " (Movement 7 "from Kadikoy-vinyl-) and " Taksim'de bangyjumping 7 " ( Bangyjumping Taksim 7-inch-vinyl-) and some" herbs "... His 1999 album " Fabrics mahal yok " (No place for panic) spoken mainly about racism, war and daily life in Turkey has been considered by some critics for the legendary punk-rock genre Turkish.

Discography:
U gh em All! (1994)
your voice Listening to the owner (1996) Kadıköy Movements (1996)
opposite direction (1999)
No panic Mahal (1999)
Bangyjumping Taksim (2001)
Man Do not Want To Be (2003)
everything a
Cost Yes (2006)
Dinozor (2010)



They are especially known for their aggressive use of letters, which was described as "Punk'n roll

themselves during the early years. His lyrics often tell us about issues such as social exclusion, combating racism and corruption of politicians.

(At the University of İstanbul) The mini album "Dinosaur" was slated for release in spring 2010 in the form of a promotional concert that took place in the room estambulí
Rashit - video klip dinozor from Rashit punkesta
on Vimeo
. quite curious if you can hear excellent guitar playing, sax and voice penetrating Oğuz cojonuda of the room Taktak

Factory the January 21 of this 2011 so all lucky to walk through the beautiful İstanbul İstiklal get close to in Beyoğlu, Rejoice and unqualified power of Rashit (entry for only 15 of Liras ná!).

Links about: http://turkishpunk.blogspot.com/ http://www.rashit .com / tr / index

Friday, December 31, 2010

Where To Buy Claypots Manila

"Remembered and longings the old 2010 "



" Αυτό που δεν με σκοτώνει με κάνει πιο δυνατό "

"
kill me strengthens me
" What does not kill me makes me stronger " "Tot allo not kill em fa més fort Em"

Desembre Divendres 31 2010

Friday, 31 December 2010


Παρασκευή 31 Δεκεμβρίου 2010

31 Aralık 2010 Cuma

-feira Dezembro 31

2010

IMAGE OF THE DAY ___ ___
"At Palacet Albéniz Barcelona 26/12/2010 (Photo: Enric) -i gràcies pel magnífic Passeig Pere! -
...

___ Remembered and longings, 2010
___ End the year 2010 ... this horrible, this disappointing year 2010, more than a year seemed a curse, the dark and devastating effect of an evil eye or a simple demonstration that, at the level of the perishable and at least one is, of all all, the trifle insurmountable. ends with the bag dismantled, hitting hard job insecurity (as a hit
of the Beatles back in the 60's) and the absence of the departed, leaving us in the abandonment and most unfathomable sadness ...
And is this a tribute to all those that fate decided to take elsewhere, whether geographical or mystical form from now on in our memories, our memory and, still, forever, concerning our short lives, minimum and where there are perishable.

I now kiss the warm cheeks of the departed in the boat with the coin in the mouth to open Charon the light of eternity placid. And I wish, in this moment of impasse fictional take time to savor in my mind the time of these lives, lived or sustained, Ganymede give nectar to the gods pedestrian drink each day. Valga
this song, as sweet tears of Orpheus, to extract its stubborn determination to oblivion and that evil that leads nowhere, "to kima kima (in waves), towards extinction. Serve as a prayer or as the Delphic smooth transit of echo, slow whisper of dry leaves swept away by soft wind from the Mediterranean or the combined voice of a choir singing a pastoral Angelus beachfront, serve, say, to the threefold denial of Peter, Iblis stoning in Mina or the taking of Constantinople whatever is in the mathematics nothing in the hollow of a rough boulder rushing down a well on the back of the Skin a sacrificial lamb in the certain death that rides the pale horse.
Sea, thus making this song the feeling that comes clear when the soul, from the carved out of Mount Ararat, he decides to give in to tears and the longing to know, definitively known amputee, forever surrendered to the evidence that we are nothing without being truly mind. And now, leaning tower, wayward pawn and bitter battle angel of those who wait, look at the blue horizon of the sea as beautiful and prego my nails will cross the singing dark prison of the past and do not forget get to Thanatos, to be with others, sitting on a rock face the beach of my desires.

To settle this, my old balance of 2010, DESO also to sing his vero justice are, remember and get used to the sea of \u200b\u200bfriends arrived, as I looked up ailing boat sideways at this port, provided the most tortured, beaten by winds. Take, then, for, in honor and real gesture of gratitude (for the patience and endurance made the often unholy, clean and jerk of my insanity transitional) to publish the letter all of Lluís Llach is also in the Portuguese language translation (I hope the natives know to look with eyes full of bounties) arrived here with such force that one, linking with the times dominated by Persephone, is crossroads in history, no longer own father but also to see that Catalan, Portuguese, Greek, Turkish, French, Italian, English or English will, for the times of the time, layers of onion bosphoriana and therefore of myself.

Hand on heart, slam! ,

السلام بكم

, peace for all of them that they are that y los están, en otra dimension, vera en la nuestra the prow of her ship.

___Núvol

blanc / White Cloud

___ "Senzillament se'n va la vida, i arriba

/

Simply la vida part, and comes with un Cabdella that parades el vent i thin. /
a ball as the wind unravels,

and thin. Sound actors to come back

, / We are actors sometimes spectators to come back, /
viewers to veces,
senzillament res i with itself, it life ens dona i pren paper.
/
and not simply

me, life gives and takes away the paper.
Serenament l've quan about a selected, over,
/ serenely when the wave arrives,
ends,

i pots, en el let himself win, began. / and maybe when outdone,

begins.

La enamorada platja / Beach enamored

sap in hopes l'Llarga
/ not know the long wait
bout i els arms in fos cas, about a selected volgués l'Avui's fall.
/ and opens his arms,

would not be the case, the wave oje want to stay.
Així names, I let you in deixis;
/ Only then, I'll let
leave,

names així, et let plowing on deixis. / only so, you leave me now

leave.

Jo tinc, per a tu, en el niu un arbre my / I have for you, a nest in

my tree

nuvole un blanc i, d penjat 'algun white. / and a white cloud hung

some wool.

Very white ... / muito branch ...

Often when the sun declines the look.
/ É quando Frequently one or
it declines to Olhao.

He pesarós knows that if you decrease the estimates.
/ Ele, saddened, knows that it
mengua, it AMAS.

sometimes arrive late / Chegamos afternoon às times

without knowing that sometimes
/ not know what to veces
el fragile art d'un senzill management, podria tell you that ...
/ the fragile art of a simple

gesture, you could say that ...
Names així, I let you in on deixis;
/ Only then I let myself
go;

així names, let et plowing on deixis. / so alone, I leave you now

leave me.

Jo tinc, Per a tu, en el niu un arbre my / I have for you, a nest in

my tree

i nuvole un blanc d'algun penjat white. / and a white cloud hung

some wool.

Molt blanc ... /
Very white ...".

.
.
.
What Tengan, ustedes, un año 2011 y que prosperous las buenas y que vengan cosechas la mar les su fruit to quench el hambre del mundo, y que the fight (Our Struggle) go ahead with determination to finish, a damn time, with the injustice of the powerful in the world ...

iyi bir yeni
YIL 2011!
Ευτυχισμένο το νέο 'ε τος 2011! !
سنة جديدة سعيدة


2011 2011 urte
berri on! Good
novo year 2011!

Buen año nuevo!
Felice anno nuovo 2011!
Bonne année 2011!
Bon any nou 2011!

Hasta el próximo 2011!

Tuesday, December 28, 2010

Best Place To Celebrate Birthdya In Bangalore

circumstances:" l'Ateneo popular Circus 9Barris "



" What not kill me makes me stronger

"


"
Beni Beni öldürmeyen

güçlendiriyor
"
"Lo not kill me makes me more safe " "
everything not kill me makes me more for t
"

Tuesday, 28 December 2010

Tuesday 28 Diciembre de 2010

Τρίτη 28 Δεκεμβρίου 2010

28 Aralık 2010 Sali

Tuesday December 28

2010
____IMATGE DEL DIA____
"Julio"
(Il.lustració: Enric)
... __ Circum stances: "The popular circus Balagans " __


I had the pleasure of revisiting my hometown, Barcelona, \u200b\u200bin these two days Christmas and Boxing Day and we used to go to Ateneo Popular de Nou Barris to once again be amazed at all that the world of "other" circus that is actually an offshoot of the old, always the eternal circus , offers to delight young and old, tiny and small higher laughing and understand brainy, discerning and they know when they are being offered a piece "repeated" and outdated it was, at the time, something interesting or really, they are given something that, of all all, it is new blood, a "touch" than the interlocutors of the beautiful fairy and infant gifts, lucid moment, playing, small and intense light that illustrates ... Thus, in the cold Christmas night, 20 h (+ o-), more or less at the end of the metric of the transit authority Barcelona (Trinitat Nova), raised the curtain to trap for little more than a time in a magical circus and not happy, rather exciting. Is unacceptable to report that the faces of children were matched to that of the not so young and suddenly, like a magnificent dream, we were all imbued with the artists that have nosequé uppercase and humble, that queseyo that caught you kept in suspense, sweat on the hands and the smile in her hair, eyes of stone, stuck, immobile, caught the show round and bold.
I do not know, do not know. Better tell me what you see and what they found this act alchemy, this potion sparkling and fun that the four great Balagans company, read Manuel , Guillermo
, Nilas Oscar and gave them to drink. And do not mislead, acting for a limited time!!

The siguiete information is taken directly from the page of
Ateneo Popular de Nou Barris in Barcelona . I think no one better than they are going to illustrate on their activities and so will today Bosphorus a mere thread, a messenger to you to share in such an interesting place, its more valuable activities and, in particular, this show is excellent "Circumstances" (Circumstances).

The photos are

Oscar Santamaria. The Athenaeum Popular 9 Barris, 15 years creating circus!

The Circ d'Hivern (Winter Circus) Circus factory building is the most important project of the circus program support contemporary Catalan Ateneu Popular 9 Barris. Every show of Circ d'Hivern is different and specific, always from the same premise: to offer a contemporary circus, new and for all audiences. Cirque d'Hivern
account each year with a unique artistic team, from the circus but also of dance, theater and music. The Directorate of circumstances: Ricardo Gallardo
Ricardo Gallardo theater was originally formed in the Arcis University of

Santiago de Chile and highlights especially the step by the company "Grand Circus Theater of

Andrés Perez
, but went to the circus training at the ESAC (Belgium) during

1996-1997.
specializes in acrobatics and balances hands to hands, participating in workshops acrobatic bicycle in Paris and at the Escuela Nacional de Cuba Havana. Emigrated to Berlin and together with Irina Zadek form the duo "Washed" with which participate in numerous festivals and cabarets in the Netherlands, Switzerland and Germany. After 6 years residing in
Berlin moves to Barcelona, \u200b\u200bwhere he is reunited with Andrew Mele and founded the
company "Dead" . The year 2005 opens a small 25-minute piece entitled "The walk" and the year 2009 are co-produced by the CAER Reus for his new proposal " Kampingplatz" , with which rotate through many countries. Ricardo Gallardo currently is professor of theater at the Rogelio Rivel Circus School of Barcelona, \u200b\u200bpart active in the area of \u200b\u200bthe circus and is the director of "circumstances, 15è Circ d'Hivern ". Ricardo Gallardo
proposes building a 70-minute piece, narrated
by the artists on stage, to synthesize and balance of learning techniques circus and dramatic. This is an exploratory work that arises as a innovation and realization of this balance, where the technical preparation becomes decisively driven by the unfolding drama. ___The interpreters: ___ Manel Rosés Moretó : Vertical, scales, and juggling. Aranzana Guillermo Enriquez : Roda cyr and scales.
Nilas Kronlid
: Hanger China, scales, and acrobatics.
Oscar Karlsson
: Scale, vertical, trampoline and acrobatics .
___The Story: ___
Four people are cited in a place where they have to wait your turn. Follow the rules
are installed in the waiting room. Meanwhile ... questioning, you discover
between them. Have decided not to miss the opportunity, that opportunity
have always expected something to be desired ... dream ... or deserved. Everyone has their reasons for coming to look ... and each is valid. But ... depends on them, or their circumstances?


A body, a skill, an intelligence ... even a character, as something that has been granted, can help or hurt our way. But really just the way those invisible barriers and unrealistic? If not for our circumstances ... probably would not get where we are. Investigates circumstances and challenges, risk and humor, through the circus and poetry, to surprise and capture what we are or who could become. For all ages. Ateneu ___Acerca Popular: ___ The Athenaeum
Popular 9 Barris conducts a training program in leisure time: the
School Children 'Circo

which has about 100 students from 6 to 17 years. On the social side, offers circus workshops for children and Nou Barris has launched experiences circus activities for disabled and elderly people
. In the Athenaeum, in addition to the 3 Combinats Circ seasonal and Circ d'Hivern , are produced Final Course students at the
Rogelio Rivel Circus School
. Also done a residency program for artists and try to provoke the intercanviador between artists of different disciplines to promote development and provide prospects for continuity. The Athenaeum Popular 9 Barris has received Armchair Honorary Award 2009 for its outreach and training for the circus as a social tool for change.

representations from December 18 until January 16 ___Precios: ___ Adults € 10.50

Children (up to 14 years) 6 €


___For more information: ___

Sonia Martinez Ateneo Popular 9barris
C / Portlligat, 11-15
08042 Barcelona

(00 34) 93 353 95 16

circ@ateneu9b.net

www.ateneu9b.net
...
___Webs circus of interés___

Training in Social Circus i l'Ateneo Popular 9Barris
http://www.ateneu9b.net/htm/formacio.htm

Association homepage Circus Professionals de Catalunya APCC
http://www.apcc.cat
Rogelio Rivel Circus School

http:/ / www.escolacircrr.com

Circus Department Social de Cirque du Soleil

http://www.cirquedusoleil.com/en/about/global-citizenship/community/social-circus.aspx
.
. .